©Megan Elyse Fulmer 2014
A Hispanic woman is faced with the day,
She leaves Northern Jersey, and moves to PA.
White husband, 2 kids, and one will come soon.
In a new world, emotions are strewn.
First child is blessed with the skin that’s like hers.
She knows that they’ll have people throwing them spurs.
Husband, her daughter, and new baby three,
Have their own color protecting them free.
Tired, scared, and missing her people,
She wished they could say, “We’re all treated equal.”
Experience here will give them true knowledge.
They’ll learn their privilege.
Mother’s adventures with redheaded daughter,
Strolling down grocery isles, no bother.
White woman stops her now beaming and canny
Says, “Aw, cute baby! Are you the nanny?”
Mother now fuming says, “No she’s mine.”
Continues her journey and gets in a line.
She knows if she fought back it wouldn’t end pretty.
She figures it’s best to lay low in this city.
Bottle it up, go home, and just pray.
Still time to make this a much better day.
Mother will share this when daughter’s older.
The story of white lady, what mommy told her.
Tell daughter details and paint her the image.
She’ll learn her privilege.
First week of school, redhead’s teacher’s pet.
A cute little dancer that Miss never met.
Now comes in mother, and teacher then swore,
She dealt with this Hispanic woman before.
The dark older brother was once in her place.
Treated unjustly, their mother, Miss faced.
And even though brother had much higher grades,
Teacher did not care for mom and his shade.
Daughter’s now treated just fine like the others,
And treatment won’t be half as bad as her brother’s.
Daughter’s confusion is sparked by their visage
She’s learning her privilege.
Loud on the playground, redhead with friends.
Black, White, and Brown, new dances that trend.
Join the Black girls that shake left and right,
Other White girls choose to sit back polite.
Redhead unsure why that can’t all join in,
Some girls are shy due to culture and skin.
Now redhead’s closer to Black girls so proud,
Unsure where she fits, but can’t say out loud.
Redhead’s the mixed one. Hispanic and White.
More White to her left, and Black to her right.
No one relates in her little village.
She’s learning her privilege.
Redhead’s watched mother and brother for years.
Hitting an age where she’s shifting gears.
She’s witnessed their pain that she’s never gotten,
Although, when with mom, kids say she’s adopted.
14, a freshman, she finds a mixed friend.
Finds a new ally whose ideas blend.
People now learn redhead’s half Puerto Rican
One ignorant kid takes his chance to start speaking.
“Get out Mexican.” He exclaims in disorder.
“Grab your lawn mower, and go cross the border.”
Keeping her calm she says eloquently,
“You might want a lesson in geography.”
Ally speaks up, but she’s Black/Hispanic.
Redhead is quick to stop ally in panic.
She knows that with her ally’s much darker tone,
She’ll be punished more than the boy who throws stones.
Redhead spews comebacks, and lays it on thick.
Ignorant boy laughs and calls her a spic.
Fed up, hurt, she makes one last remark.
She and her ally won’t take it to heart.
Redhead’s the one who prevents further damage.
Now she knows her privilege.
Last year in college, redhead’s back from tour,
Making it tough to go back to before.
She meets a new boy that we can call Tony.
He seemed so kind, turns out he’s a phony.
One night while walking they talk of their past,
He made a harsh comment that changed her mind fast.
“If you got with Black men, I couldn’t be with you.”
She says, “Well, I have. I guess there’s an issue.”
He says, “Yea, but they weren’t that dark of men.”
She cuts him off quickly and thinks, “This should end.”
She tried to correct him by teaching him better,
Turns out he’s too cocky to keep them together.
Redhead tried to show him through family and more,
But manipulation, harsh words, hit her core.
She picked herself up ending things with that boy.
She wants to leave school filled with kindness and joy.
First female on mom’s side to get a degree.
Mixed girl with a new BFA in MT.
Family is proud of her finishing college.
She knows it’s a privilege.
Redhead goes on to a pursue her career.
Black, White, Hispanic, and Asian, and Queer.
Some moments feel like they’re actually equal,
Until open calls for shows with certain people.
Looking for Latins, redhead goes on in.
She’s still a Latina despite her light skin.
Sometime she’s welcomed, sometimes there’s shame.
Sometimes she even tries changing her name.
But now in the union, that trick doesn’t work.
She prays they can see in her eyes, or her smirk.
Her manager gets her appointments for roles,
That are Latin women, and meet redhead’s goals.
Casting asks, “experience with speaking Spanish?”
A question that redhead thought Equity banished.
“My mom’s Puerto Rican,” she says fighting tension
Casting got answer with calculated question.
“I don’t have to ask the inappropriate one!”
Casting continues, but redhead is done.
“Why was I called in?” Redhead asks herself.
“My headshot could just have been left on the shelf.”
Or even better, another role on the line.
A character who’s skin tone they think will match mine.
Ambiguous actors are the hot thing.
More opportunities we’re told it will bring.
Redhead fights on to get any show.
A role or a moment. Let the resume grow.
She sees other friends that are trapped in a square.
One look, minority, little chances there.
Passing both White and Hispanic’s an advantage.
She knows her privilege.
Now 27, redhead’s seen every state.
She’s seen every race in their heated debate.
She’s witnessed the pain of her family and more.
Even younger brother faced pain she’s endured.
Her cousin’s, her uncle’s, her aunt’s family bloom.
African, Jamaican, Hispanics in the room.
So many shades that share the same blood.
In addition, she’s dated some colorful studs.
Redhead experiences hate second hand,
Whether with family, her friends, or ex man.
Unafraid of discussions to speak on the problem,
She’s never done anything big that will solve them.
Discussions with likeminded people share toasts,
But never with people that need it the most.
Redhead must speak out for those in her lineage.
She must use her privilege.
Now, I see Covid and Racists galore.
Anxiety, hatred, blood on the floor.
Real change is coming with time to protest.
Leaving the fascists and foes in distress.
For those who don’t speak out, I’ll listen. Explain,
Why you still choose to sit back and refrain?
You’ll put in your head phones engulfed in their culture,
But won’t fight the hate that attacks like a vulture.
You can stay silent and fear alt-right shame,
Or you can take part in this beautiful change.
This will take time, and money, a village.
We must use our privilege.
Yes, the redhead you read of is me.
My mother, my brothers, friends and family.
I’m blessed to be surrounded by diversity,
Even LGBTQ community.
Sharing some fragments of my life story,
Continuing this speech is now mandatory.
I know that I’ll truly never understand,
The harshest of treatment by evil, racists hands.
I promise to educate myself in this time,
And stand by my loved ones through their uphill climb.
I ask you, have you taken time to reflect?
Evaluate choices, and who you protect?
What is your mission, and what is your freedom?
How can you educate others and lead them?
I encourage you to join me in this mission.
Use your own voice, and choose your position.
I’ll keep chanting, fighting, promoting the message.
I know my privilege.
As a dancer, trying to work through an injury is never easy. Not only is your passion put on hold, but you don’t know the long-term effects of this break from the business. This is the longest I’ve gone without a theater job in my entire professional career, and not only does it bruise the ego a bit, but it causes issues like not gaining enough equity work weeks, therefore resulting in my loss of affordable, union healthcare. Though the bumps on this journey towards recovery have been very difficult to get over, I’ve found more patience, trust, and acceptance in my process.
There are three key things that I’ve learned in talking to friends, mentors, other performers, my boyfriend, and family. Trust me, I’m still trying to practice what I’m about to preach. Our well-being and stability will always be a work in progress. These three things could be considered common sense for some, but sometimes it takes a certain person, or hearing/reading things a certain way, for any guidance to really resonate with us. It’s not always easy to focus on the positive. We all have our days where the concept of positive thinking is easier than others, but these three ideas are tools that have allowed me to hop back on a brighter bandwagon after a darker day.
1. Run your body like you would run your business.
Pretend you’re a manager at a frozen yogurt shop. If the frozen yogurt machines crash, and everything is melting, would you just leave the machines broken? No. Everything would spoil, it would be a waste of money, and you would lose business. When it comes to your body and getting the help you need to recover, take every step you need to take to get your machine running again. If you have a difficult time with an insurance company, a doctors office, whoever says they will help you and your livelihood, stay on top of them until the job is done. The squeaky wheel truly does get greased up. Fight for your right to heal because it IS your right. If they drop the ball, what will you do to pick that ball back up and score? Your body is your business, so don’t let anyone else let you forget that.
In addition, you have to listen to your body. If you’ve been in the gym working on the other half of your body that isn’t injured, and everything is feeling a bit fatigued, do not be ashamed of giving your body that much needed rest day, or even two! If your injuries are flared, and you realize you haven’t done any strengthening exercises for your injury, set aside the time to do so, whether it be at the gym or at home. Research more at-home exercise for your specific injury if need be. If you don’t have the time, the means, or the support in order to seek treatment, research what specific foods will nurture and aid in healing the ligaments, bones, muscles, etc. And if all of this is just a bit too much at the end of the night, and you just need a glass of wine and a personal pizza, do it! Don’t be ashamed. Listen to your body like you would listen to a concerned employee. Together (your mind and body) will find the solution towards having your body up and running at full capacity. Things may not be up and running as soon as you want it to be, but sometimes businesses take more time to develop. You must have patience in the process.
2. Find a positive outlet outside of your craft.
When I got injured, my initial reaction was to focus this downtime from dancing on acting and singing. I got into two acting studios I’ve been dying to study at, and I began taking voice lessons/ working with vocal coaches. I thought that would be fulfilling enough, but I started to feel depressed. I no longer felt like I was working towards being a complete triple threat. Being out of work in the industry for so long caused me to lose confidence in any talent I may have. I needed something outside of acting, singing, and dancing in order to have some sort of fulfillment. Writing became a great outlet. Starting this blog not only helped me work on my writing skills, but I heard from other people that found inspiration in hearing my story. Though I am thankful for, and still study my craft and writing, I needed to find other positive activities that had nothing to do with ANYTHING performing arts. I realized I needed to take myself on dates, read more, go shopping, meditate, and anything else that would help me define my version of #selfcare. As New Yorkers, we’re taught to hustle and fight for what is ours. Constantly fighting to fix your body, career, relationships, etc. can leave you feeling emptier than ever. Find the things that fill your tank in the meantime.
3. Surround yourself with people that help you glow and add an extra shine around your halo.
As performers, we are fortunate enough to work with many different people from all over the world. Some of those people become family for life. Whether you talk to those forever friends everyday, every week, or every few months, they are the ones that know how to lift you up without just saying things they know you want to hear. They will embrace the reality, but remind you of the amazing qualities you have that prove you're stronger than your current situation. If it’s been a while since you’ve caught up with those friends, don’t be afraid to reach out to them. When you go out for drinks with these friends, are they constantly drowning in the negative, or do they vent and talk through issues until you can find a solution together? Do you feel inspired by their conversations? Are you laughing more than crying? Do they give you the tough love you know you need in order to get through this difficult time in your life? Do they actually listen when you need someone to talk to, and are you actively listening to them in return? Is the effort and the love reciprocated? These are very important questions to ask yourself, because if you find the average answer I no, then you will leave yourself feeling empty again. Your relationships, whether it be with a friend, partner, or family, need to fill you in order for you to keep giving back. There has to be a mutual love and respect in order for everyone to keep shining.
Ultimately, these are things I’m actively working through on a daily basis. It’s grown to be more habitual over time, but again, we embrace the bad days with the good, and continue to learn the best ways for us to move forward. When those bad days want to take over, or like me, you wake up feeling anxious sometimes for no particular reason, ask yourself these three questions: Am I listening/actively giving my body what it needs? Have I done anything in the last fews days that are just fun activities that lift my spirits? Have I spent quality time with positive people that love me as much as I love them? If you can get to a point where you’re answering yes to all of these questions, then you are on the right track, even if it doesn’t immediately feel that way. If you are able to answer yes, then you have a lot more to be thankful for than you may recognize day to day. If you can answer yes, then I’m proud of you.
Time flies with you from city to city. You land in Costa Mesa knowing three weeks stand between you and a four-week layoff. Five months straight with only one week off truly takes a toll on your body. Your energy boost comes from your new love developing. Harry has already flown to three cities to see you, and one of those cities he flew to twice! Through the new development of your relationship, he’s been by your side to witness the new development of your cast. People have come and gone, and more intend to go as the break approaches; one of those cast members happens to be your dance captain.
It saddens you knowing your dance captain leaves in two months. His positivity and kind spirit influences your cast in the best way. The bitter loss brings a sweeter opportunity to mind. While working through the rehearsal process, you formed a solid foundation with the creative team. You begin to replay a specific conversation with associate choreographer, Amy.
“Megan, have you ever swung before?”
“Yeah, actually on my first tour I was the only female swing. It was a lot, but it’s definitely made me stronger.”
“That makes so much sense. I could tell you’ve had experience because of the way you work, but wasn’t positive. You seem to be aware of everything going on around you in each number. Have you ever wanted to be a dance captain or associate choreographer?”
“I have! I want to work my way up to that. I mean, once you’ve been swing, you feel like you can do anything.”
“I felt the same way after I swung my first show. Good to know.”
Your dance captain wasn’t given an assistant once the tour launched, but you hoped the opportunity would present itself. He had a heavy load of responsibility every night on stage, let alone the rehearsals and auditions he ran as dance captain during the day. You hoped you could be the one to help lighten the load, but it didn’t seem to fit the budget. Maybe his leave would be your promotion. You toy with the idea and decide to give your manger, Gregg a call.
After catching up with Gregg and expressing your interest in the dance captain position, you both decide to let things play out without informing the team of your interest. At the end of the day, you know the creative team and producers already have someone in mind. In your gut, you know you qualify. You glance down at your golden Alex and Ani bracelet and read aloud the quote that dangles from your charm.
“What is for you will not pass you.”
The bus rumbles beneath you as you pass a sign reading “Welcome to San Diego.” The two weeks in Costa Mesa ended with your shoulder taped up and feeling weaker than ever. Your shoulder has been in pain, but you always do your best to push through the pain and go on with the show. Your shoulder no longer feels that you should push, so you called out for the last two days. You arrive in San Diego and immediately Uber to a sports medicine doctor in the area.
The tedious examination results in a week of no dancing due to a sprained shoulder. Not only do you feel terrible about the outcome, but your younger brother graduates from college tomorrow. You already felt guilty for missing this monumental moment, now you feel even worse knowing you won’t even be working. Your company managers know your situation and watch you drag yourself into the elevator and up to your room. Minutes later, you receive a call from your company manager Brian.
“So, we know you want to make it to your brothers graduation. Rather than sitting here, there’s a flight that leaves in a few hours that will get you into Newark around 8am. If we do this, would you make it in time?”
“YES!!! OH MY GOD THANK YOU! THIS MEANS THE ABSOLUTE WORLD TO ME! I CAN NOT THANK YOU ENOUGH!”
An hour later, you slide into another Uber and begin the journey home. Your four week layoff just turned into five. Your spirits lift knowing you’re a night away from family, but in the back of your mind you fear this could hurt your chances of being considered for dance captain. To calm the thoughts that run through your anxious mind, you glance down at your golden bracelet.
“What is for you will not pass you.”
Hand in hand, you and Harry drive through Maryland after his long day of work. You’re halfway through your layoff and you already feel rejuvenated. Your shoulder, ankle, and mind all thoroughly enjoy the opportunity to relax and enjoy the company of family, and the man you love. You look to your left smiling at Harry, staring at his dark hair with its natural, dashing grey streak that swipes to the right across the front of his hairline. Your glance lowers to his suave glasses, his soft smile, his light blue blazer, all the way to his fingers intertwined with yours.
The buzzing of your phone bursts your heartfelt bubble. General manager’s name lights up the top of your screen. Your thumb swipes from left to right and you raise the phone to your ear.
Jim asks how your shoulder is feeling and if your break has been enjoyable. Small talk fades, and he gets down to business.
“You’re what I like to call a spitfire,” he expresses. “Your energy and style brings a fire to the stage. I’m sure you’ve heard, but Benji will be leaving the tour after Houston. After going back and forth with the creative team and those involved here at Troika, I’d like to offer you the dance captain position.”
You begin bouncing around in the passenger seat and mouth, “YES!” to Harry. He stares in confusion, but knows it’s positive, so he doesn’t ask questions. He waits patiently as Jim continues to break down details of the position and the benefits that come with it. You breath with relief knowing you will have an assistant dance captain, and you both will have time to shadow Benji before he leaves. They even plan on flying Amy to an upcoming city so that you can continue your D.C. training with her. You know you have A LOT to learn. You haven’t had to focus on anyone else’s track but your own. Knowing the amount of support you will have allows you to fully celebrate this career-changing achievement. Knowing you also have the support of Harry as he joins in your celebration makes the experience that much more rewarding. You knew you could get the job done for the creative team. You’ve done it naturally. You’ve earned their trust. Now you must prove you can keep it.
To my readers,
I first want to thank everyone who has put themselves “in my shoes” by reading my blog thus far. For those of you who follow me on social media, you know that I’ve been wanting to create a vlog the would correlate with the blog you’re reading now. I have filmed many different versions, and even began editing content, but I am my biggest critic and don’t feel the product is ready to be permanently published for the world to see. That being said, I do want to share with you the ten questions I collected from followers, and I’d like to make this an ongoing segment. “You’re Asking M.E.” will be featured here on “In Our Shoes” once a month. I will spend four weeks collecting questions from you about anything relating to my blog, or anything you’d like to know regarding the world of a performer. You can contact me by commenting below on the blog forum, through the “contact” page on my website, or by DMing me on Instagram @meg_fulms. Now, with out further ado, let’s answer some questions!
How could you sum up “In Our Shoes” in one sentence?
“In Our Shoes” is a blog that allows any reader to put themselves inside the mind of a performer and takes them on the journey of a performer on their road to success.
What was your driving force or inspiration behind the creation of “In Our Shoes?”
The week before Bodyguard closed, I injured myself in the middle of the show. Through my experience with workers compensation, I realized there are people who’s job is to help people like me recover, but they don’t understand what performers go through or what our jobs entail. They don’t understand that it’s not about collecting a paycheck, it’s about the passion and love we have for performing.
When did you first find an interest/passion for performing?
My first recital. My mom put me into dance classes right before I turned three, but I didn’t like being away from her, so she pulled me out of the studio. The following year she tried again. Two months into classes, I said I didn’t want to dance anymore, but my mom already paid for the recital costume, so she said I had to finish the year. Well, recital came, I rocked it on stage, and when I got backstage I told my mom I had to do it again!
Will readers who are not involved in the Broadway industry still be able to understand and relate to your story?
I think the readers will learn to understand more about the industry, and will find relatable moments. I think most industries are difficult to cross into these days. Most importantly, I think this will give non-performers a moment to empathize with the show people who smile through any performance no matter what their day entails.
What are the challenges of being dance captain and the dance captain’s rehearsal process?
Well, I didn’t start with the show as dance captain; I started taking over about five months into the tour. I started learning all of the men’s choreography, and jumped into teaching new castmates the show immediately. Since I wasn’t a swing, or in a position where I needed to learn every dance track, I was forced to learn a lot in a very short amount of time. Rehearsing all day and doing my own track at night got a bit draining, especially when having to do athletic men’s choreography during the day and my own energetic track at night. Eventually, I was given some nights to rest my body and note the show while having daytime rehearsals with new cast members.
How has writing this blog helped your recovery process?
It’s helped me remember that I have faced many challenges before “The Bodyguard,” and I will continue to work through new challenges after. It’s helped me focus on finding the positivity with all that I have gained throughout my time in the industry.
Is there a silver lining in your forced down time and recovery?
YES! I have learned so much more about myself and have gained experience that has made me a stronger person. I’m excited for the chance to utilize this new strength in whatever my next show will be.
What is something your readers can look forward to?
My readers can look forward to learning more about what performers can experience when their shows run longer than a year, and they can look forward to learning more about how this industry can effect one’s personal life.
What about “In Our Shoes” are you most proud of?
I’m proud of the way my career has evolved, and I’m proud to share it. In the first post, you get a sense of just how hard I’ve worked and the hurdles I’ve jumped to get where I am today. I want to inspire others in the industry and anyone who has a dream to continue to work hard as they chase their dreams.
Where do you see “In Our Shoes” going in the next year?
I want to to continue to share what I experienced with “The Bodyguard,” I want to add a Vlog that will go into more detail about certain blog posts, and I hope to book the next show sooner than later so that we can enjoy this roller coaster of a journey together!
With heavy eyes and a foggy mind, you enter your new room in Baltimore, Maryland. You spent last night partying with your older brother, absorbing your last bit of family time in Philly. You spent the entire week in Philadelphia spreading yourself thin by seeing as many friends and family as possible, all while doing the show each night. The injury, the celebrating, and the show force you to reevaluate the way you choose to live on the road. Since you have the rest of Monday off, you plan a lunch and grocery trip with your friend and fellow castmate, Sean.
Walking towards an empty both in Panera, you and Sean begin expressing the different challenges you both have faced thus far. Through your exhaustion, you continue the conversation. “Sean, I need a fresh start. I feel like I need a complete mental and physical cleanse. I’ve been so stressed and it’s weighing on me. I need to start making some changes.”
You agree to cut communication with your ex, cut back the partying, and you plan to alter your diet. In eleven weeks, you will be opening “The Bodyguard” at the Hollywood Pantages Theater in Los Angeles. You plan to take new headshots while staying in LA for 3 weeks, so you want to look and feel your very best. For the next eleven weeks, in addition to eating clean, you will create a workout routine that won’t overly exhaust you before showtime. Sean is one hundred percent on board and looks forward to witnessing your transformation. He’s the perfect friend to share your goals with because you know he’ll continue to motivate you towards a happy, healthy future.
After your first full day of clean eating and pre-show exercises, you have the perfect amount of energy for opening night at the Hippodrome Theater. The Hippodrome is providing an opening night party in the lobby of the theater. You didn’t bring anything nice to wear, because you weren’t sure that going to an opening night party would be the best decision after expressing the need to cut back the partying. Sean walks back to the hotel with you and escorts you to your room. You begin looking through clothes, still debating whether or not you should attend this party. “Bitch get dressed. You’re going. There’s free food and free wine. If the food is crap, we’ll go home.” Your gaze shifts from the mirror to Sean. “You’re right. Ok, let’s go.”
You walk into the theater’s lobby in boots not meant for fancy parties. Those boots have no heel, so until your ankle is closer to feeling one hundred percent; they’re your only option. Luckily, you’ve maintained the fresh blow out you got at a salon in Philly, so you enter the party feeling confident, at least from the knee up. You walk up the stairs onto the balcony and join the festivities. Immediately, you and Sean find the food table. They have a great salad option for you, so you fill up your plate and walk towards the bar. You quickly eat your salad so that you don’t have to juggle your food and your cabernet. You swallow the last bite, and wash it down with the first sip of wine. You begin scanning the clumps of people around the room. You recognize the clump of talented musicians, but one face doesn’t seem familiar. You look a little longer and realize you unfortunately have never seen that handsome face before. You were always going to say hello to your friends in the band, but now, motivation rushes you in their direction.
You enter the circle of men, intentionally standing to the right of the one you don’t know. You look up at the mystery man and only say, “Hi.” You say hello to the rest of the band members in the circle as you wait for mystery man to acknowledge you. They exchange their hellos, and mystery looks down to reply. “Oh. Hey!” As the conversation flows throughout the circle, you learn that this man, Harry, has been friends with the trumpet player, David since they were 15 years-old. David has been touring for the past 13 years, and ever since Harry moved to Maryland, David has stayed at his house when he plays a show close by. Since the whole cast and crew received comp tickets and plus-ones for this opening party, Harry came along. David continues to share his interest in making empanadas while staying with Harry. You look across the circle at David. “I love empanadas! When is this happening?” Dave smirks, noticing how close you’ve chosen to stand next to his best friend.
“I don’t know! Thursday?”
You smile wide, and invite yourself to enjoy the taste treats. “Thursday works for me!”
Conversation continues to swirl around the circle, but your eyes only see Harry’s. He hasn’t been able to keep his eyes off of you either. He begins asking you questions and the two of you continue to have a private conversation. Before you know it, you and Harry are the only ones left standing together. You both pause for a moment, realizing the rest of the band has dispersed, but you don’t want to lose momentum. You take the initiative to keep the energy going.
“So, Thursday?” He smiles. “Yes! Thursday it is!” Expecting him to ask for your number, you give him a verbal nudge. “Great! So, how will I know where to go, or what time to arrive?” Realizing he’s forgetting an important detail, “Oh! Walk with me.” He puts out his right arm to link with your left. You walk towards an isolated area of the lobby. “May I please have your number?” You give him your number and he continues to lead you towards a quiet nook near the bathrooms and the kitchen. “Ok, I have to ask. May I kiss you?” Your heart flutters and your smile brightens. Without showing how completely giddy you feel, you keep it cool. “Of course.” He gently places his hands on your cheeks and kisses you. He pulls back and looks up at the ceiling. “Ummmm, one more.” He looks into your eyes before placing a peck on your lips. Pulling away again he says, “Ok one more.” He repeats the act of endearment. “Ok just one more.” By the third one, you try to hold back the laughter, but you continue to chuckle as his lips are upon yours. You part ways, and meet with Sean. “I can’t believe I wasn’t going to come tonight! Thank you for getting me to this party!” Sean additionally swooning over Harry, “Girl he is fine! You’re welcome.”
On a chilly Sunday night, you sit in the passenger seat of Harry’s white Mercedes with ice saran-wrapped around your ankle to decrease swelling after an eventful five-show weekend in Baltimore. You can’t believe Harry picked you up from the theater to enjoy a third night together. You two have been smiling and laughing since your first date on Thursday. As he zooms onto the highway, your heart sinks a bit, realizing this is the last time you will take this drive with him for a long time, or maybe ever. Will he want to continue seeing you knowing you signed a contract that will keep you away for another 15 months?
Back in his house, Harry holds you in his arms as you continue sharing life stories, learning and loving more about him. Loving? Yes. Crazy? Maybe, but you can’t help this overwhelming, unfamiliar sensation. Something about him feels right without explanation. In complete awe of what has come over you, you soak up this beautiful moment. From your experience on your last two tours and other regional productions, you thought people could never find anyone worth pursuing while on the road. You thought people could only wind up in a temporary showmances that ends soon after the production comes to a close. You never thought you would have the chance of meeting someone worth pursuing beyond a first date, let alone someone who isn’t in the industry. You’ve always wanted to meet a man who isn’t a performer, but still understands the lifestyle. When a show consumes your world, the chances of meeting a wonderful someone who isn’t a performer seems slim to none, but Harry could be the man to prove your all of your theories wrong.
The doubt of seeing Harry again fades as conversation flows deeper into the night.
“I really hope to see you again. I know you were thinking of coming to San Diego for David’s birthday, but it would cool to see you before six months from now. I’d like to keep talking if want to.”
“Yea, of course. Just text me tomorrow. If I hear from you, I’d love to keep talking.”
“I will for sure.”
Based on his past, he reluctantly says, “Ok, we’ll see if you do.”
The following morning, Harry drives you and David to the airport to join the rest of your cast for a one-way flight to Charlotte. Parked in front of Southwest Airlines, Harry helps you remove your luggage from the trunk, and you share one last kiss. “I will be sure to text you when I land.” He smiles back at you. “I hope so.” He drives off, leaving you flustered with a mix of emotions. You drop your luggage off, pass through TSA, and settle onto the plane. Remembering that he’s not allowed to have his personal phone at his office, you begin drafting a text that he will come back to after a long work day. You’ve dreamt of a man like Harry for a long time. You don’t want to let him go. This is a great first gesture towards a man who could be a positive addition to your journey towards an all around healthier life style.
You gaze out the window as the cast bus rolls on from Columbus, Ohio to Philadelphia. Your phone alerts you of a new email from Allen Foster. Foster, along with other Bucks County press, have been calling you the past two weeks to do an interview before arriving in your hometown. Foster’s article is titled “Megan Fulmer, Bucks County’s Treasure, appearing in The Bodyguard.” Your heart fills with joy and feels as if a bright yellow light shines through your puffy winter coat. After sitting for a week in Columbus and watching the full show from the audience to rest your ankle, this headline makes any pain go away. Your ankle has reached about 85% health, and good fortune has healed you just in time to dance for friends and family. Your eyes continue to gaze past the window’s barrier and you begin to recognize familiar venues like the Wells Fargo Center, where you performed as a 76ers Jr. Dancer from 2003-2005. Now, 12 years later, you will fulfill your dreams of performing onstage at the Academy of Music. Your cheeks spread to a warm smile as the bus takes you closer to the hotel where your parents anxiously await your arrival.
You feel like a little kid running home from your first day of kindergarten as you peer into the hotel lobby where your parents stand grinning. “Meggy!!! Hi honey!” After the the stress that built towards the end of your time in Chicago, and being out of the show for an entire week, hugs from your parents heal every emotional and physical wound. Your younger brother lives in Philly and meets you and your parents at a restaurant two blocks away from the hotel. As you enter the pub and walk past the bar, you suddenly recognize classmates from high school. Before you know it, you see more old friends that you haven’t stayed connected with since you graduated.You choose not to say anything to them; you’re enjoying time with your family. Once you leave Philly to head to the next city, you won’t see your family for five months, so you want to soak up every second of time you’ll get with them this week. You finish your meal and get up to use the bathroom. In that time, some of your drunken classmates greet you and you take ten minutes to catch up. You gesture to your family, they meet a few of the other Pennsbury alumni, and then you walk back to the hotel to have just a few more minutes of family time before you shut down and rest. You need plenty of sleep to ensure a strong comeback in front of loved ones that plan on seeing you live your dreams.
Tuesday you arrive at the theater an hour early for physical therapy. The nerves flutter through your stomach, but your excitement won’t let it overwhelm you. At the end of your session, the physical therapist wraps your ankle for protection and assures you this will be a successful opening despite the injury. You hurry to the company meeting, and then begin stretching before soundcheck. Your stage manager’s voice rings through the monitors in your dressing room.
“Can I have the ensemble to stage for ‘How Will I Know?’”
With your mic in place, you step onto the stage. That light in your heart beams brighter than the ones that hang above your head. You look out and pan the theater. The last time you were inside the Academy of Music, you sat in the audience with your choir director and voice teacher supporting high school alumnus, and your teacher’s former student, Christy Altomare, who starred as Wendla in Spring Awakening’s first national tour. At that time, you smiled with a mouth full of braces, dreaming of the day you would be on that stage. Nine years later, the time has arrived. A rush of adrenaline guides you through soundcheck into the moment you stand in your opening position.
The confetti cannons pop and the crowd is on their feet, roaring louder than any other audience before them. You expect nothing less from the lovely men and women of Philadelphia. You grew up with enough Eagles and Phillies fans to know when anyone from Philly finds something they thoroughly enjoy, they will continue to support that thing with more passion than you could ever imagine. Your older and younger brothers, your cousin Kiana, and your ex greet you at the stage door. Your ex insisted on being at the opening just like he insists on sending you flowers for every opening in every city since he showed up empty-handed at the Papermill Playhouse opening.You appreciate the gesture, but your family is here and a dream just came true, so you allot your time accordingly.
You bring your crew to the opening night party held at The Ritz-Carlton. Your older brother holds his copy of a Deborah Cox album he bought when he was a kid. You two spent many car rides Jamming out to her albums, and now your brother stands beside you as you introduce him to Deborah. Your heart glows and lights up the dim room where your brother shares his story of searching many music stores to buy a specific album that had one of his favorite Deborah Cox songs. She smiles and thanks him for his support throughout the years. You see the 12-year old version of him try to hide his excitement as she signs his CD. This was the perfect cherry on top of a memorable evening.
The whirlwind of a week has already flown you into Friday morning. You’ve had family and friends come to support you at every performance thus far, including the choir director and voice teacher you sat with when you watched “Spring Awakening.” The support fills you with gratitude, and it looks as though that support will continue until the final performance in Philly. Those thoughts keep you smiling as you and your mom walk to a local nail salon to meet Deborah, Roni, Alejandra, Naomi, and Jasmin for a mani-pedi. Never did your 7 year-old self think you and your mom would be getting mani pedis with Deborah Cox. After a fresh coat of pink and gold polish, you all migrate to a hip restaurant for lunch. You sit at the table and your heart begins to glow as your mom and Deborah chat about music, the latest on “Love and Hiphop,” and what it’s like to raise three kids, and the difference between raising boys and girls. You chuckle after watching your mom behave the exact same way your brother did during their interactions with Miss Cox. With a full heart and belly, you go back to your hotel room and prepare for PT. You’ve done a great job of taking care of your ankle, but you just want to make sure you can maintain strength going into a five-show weekend.
Each audience fills the theater with love stronger than the night before. Radio shows continue to promote the show even though very few tickets are available for these last two performances. You walk into PT on this Sunday morning for your final treatment of the week. Your ankle feels tired and sore, but you want to close the week strong. You proceed to flow through the exercises that have been given to you by your physical therapist, Angelica. You leave to finish your wig prep, but return to have her wrap your ankle right before changing into your opening costume. Knowing you have parents affiliated with your high school’s theater department in the audience pushes you through the matinee before your parents arrive for the closing performance.
Your younger brother joins you and your parents for one more dinner before the last show. The pressure of performing through an injury, and all the time you’ve spent catching up with friends and family after each show, takes a toll on you. You even plan to meet your older brother after the closing show for one last hoorah before leaving Philly. Though your body feels heavy, and an overwhelming sensation is boiling up, the stress calms down as you smile at your parents across the table and release a sigh of relief. Having the people who helped you get to where you are today gives you everything you need rise above it all. You didn’t realize just how much you need them here to end the week strong. Tour is stressful, injuries and people come and go, but you will always have your family when you need them most.
The wheels of the airplane release from underneath you, preparing to rumble and jolt on the runway of the Chicago O’Hare International Airport. You and the rest of the cast race off the plane and load onto the bus that transports you from the airport to the hotel. The cast looks forward to the luxury of a two week sit down at the Oriental Theatre. The celebration of two full weeks in one city commences with a ladies’ night including castmates Jasmin, Emily, and Arielle.
You quickly change into your dark blue, detailed jeans, black, heeled boots, and a long-sleeve black top with a triangular cut out on your chest, painting the illusion of wearing a thick black choker. You meet the other three ladies in the hotel lobby and wait for the Uber Emily ordered to take you to “Duck Duck Goat,” the restaurant her good friend works at. Emily’s friend greets you at the front of the restaurant and another new face joins the mix: Arielle’s friend from Hamilton’s Chicago cast, Chloe. Chloe brings such a lovely light and energy to the table as you all continue to share delicious dishes and conversation. Dinner turns to drinks and the laughter continues. The ladies of The Bodyguard plan to have a ladies’ night in Chicago, but Emily doesn’t know that it’s in her honor since sadly, she will be leaving the cast at the end of the two weeks. Chloe and Arielle plan to bring both the Bodyguard and Hamilton ladies together one day this week for a ladies’ night dinner, and it appears that you have something planned almost every night this week. You’ll sleep when you’re dead.
For the first time in four weeks, you break your morning ritual to sleep in after a long Monday night out. You take time for a lavender epsom salt bath before opening night; the chill of The Windy City can cause extra stress on your joints and muscles, so you take extra precaution healing your body. Castmates are already fighting colds with the seasonal change, and you have yet to call out of a performance. You take a trip to Trader Joe’s to buy apple cider vinegar and other remedies that prevent illness from infecting you, knowing that you will have more late nights out than usual.
After an easy-going afternoon, you walk to the theater with Jorge, Alejandra, and Lauren. You complete your pre-show tasks and change into your costume for “Queen of the Night.” You walk to your opening position and as you hit your number, the theater rumbles and the drums cue the lights. As Deborah proudly belts the lyrics, “I ain’t nobody’s angel…” the boys lay flat on the ground with the ensemble women walking over them. You always lock eyes with an audience member in this moment to help you concentrate on your foot pattern so that you don’t step on one of the guys. Tonight, your eyes shockingly meet a familiar gaze.
I really think it’s Ryan, but it can’t be. What would he be doing in Chicago?
You recognize the face of someone you happened to go on a few dates with in NYC. You don’t let this throw you mid dance number, but as you run to your next quick change, you tell the ladies what just happened.
You tuck another successful opening under your belt and free your hair from the braided wig prep. You, Jasmin, Arielle, your makeup and hair guy Cosmo, and Emily decide to grab a bite to eat and have your own mini opening night celebration. Your phone dings and lights up the palm of your hand.
“Hey Meg, this is really random, but my family flew me to Chicago to see the Steve Harvey Show for my 30th birthday. I wanted to catch a Broadway show while I was out here, and since I don’t do social media anymore I completely forgot you were in “The Bodyguard.” Well, I just saw the show and you lit up the stage as always. Congratulations love.”
“I KNEW IT,” you blurt out loud. You show the text to your friends and invite Ryan to join you all for a bite to eat. You all spend the night celebrating as you had the night before.
Your alarm rings at 9:00am and somehow you don’t hit snooze. You throw on some athletic wear and meet six other cast members at Barry’s Boot camp for a 10:00am class. Your partner, Bradford has worked for Barry’s for a long time now and invites you guys to take his class. Luckily you didn’t drink too much last night, so no hangover will break the Barry’s butt-kicking. Somehow you maintain the energy to explore Chicago with Lauren, Alejandra, and Jorge before the show.
The confetti cannons pop, you rush off stage, and you and the ladies primp for the speakeasy Emily’s friend recommended. You and the other ensemble women, Jasmin, and Chloe, come together for a night of laughing and showering Emily with love while you still can. You later join a chunk of the “Hamilton” cast for drinks at an underground tiki bar. Some men of “Hamilton” treat you ladies to two rounds of drinks, and the two casts migrate to another club actually called “The Underground.” The night lingers until your phone reads 2:30am. You close out, and stumble into your room at 3:15 am.
Thursday morning’s routine seems to be out the door. Another epsom salt bath will remedy another long day followed by another crazy night out. You take another shot of apple cider vinegar with honey and cinnamon, and drink another packet of Emergen-C. You make the smart choice to relax most of the day. Soul Cycle gifted the cast with free classes for two weeks, so you, Emily, and Lauren take an afternoon class as a pre-show warm up before walking to the theater. As you braid your hair, you and the other ladies chat about last night and speculate on what ladies’ night will be like tomorrow with the women of “Hamilton.” You, Emily, and Arielle stepped out of character going out every night since you got to Chicago. You turn to your left and say to Emily, “We’ve been eating at bougie restaurants, taking high-end fitness classes, and going out like it’s our job. Who do we think we are? The Real Housewives of Chicago?” The ladies laugh and disperse for places.
Friday night post-show, you walk with the ladies of “The Bodyguard” towards the restaurant that the “Hamilton” ladies chose for dinner. Some men of “Hamilton” heard about the plan for ladies’ night, and decided to grab dinner at the same time. Jokingly offended that they can’t sit with us, they find a separate area of the restaurant anxiously waiting to join us post dinner. You reconnect with ladies you know from the “Hamilton” cast, and get to know the ones who are new to you. After a quick bite, the night leads you back to The Underground for a night of endless dancing with both casts. Another night of you walking into your room at 4:00 am. Luckily, this means you and “Sir” are up at the same time, so it gives you both a chance to catch up. Your head hits the pillow and your eyes shut at 5:30 am.
A week and a day have flown by since the combined ladies’ night and you’ve cut back on being a queen of the night; you leave that for show time. Between partying, illness, the loss of a cast member, rehearsing a new member, and new tension between ensemble members, you feel everything take a toll on your body. You only have to make it through one show tomorrow, and then you fly out of the Chicago chaos. You enter the stage for the Saturday night finale, pushing through pure exhaustion. At the end of the first chorus, you cha cha your way to your partner, Brendon. You continue the partner work as he lifts you up to the left and prepares to put you down on his right. As you start to land, he brings you in a little too close. Your black sneaker wedge lands on his Adidas, and your ankle rolls. Luckily, you land far enough stage right that you can hobble to steps into the wings. You collapse and crawl further out of the way. Your assistant stage manager calls the Physical Therapist up to stage level, and you swallow two Advils. You haven’t called out up until now. Looks like you need some time off.
The high ceilings ring with the sound of Dinah Washington’s voice echoing through a cafe in Memphis, Tennessee. You sip your morning latte as you take a glimpse out of the antique windows that surround the building from floor to ceiling. You write poetry and lyrics in your journal while enjoying this local cafe as you do in every city. Your words help you work through the relationships in your life that are open with no label, and allows your writing to express yourself more eloquently. Continuing hobbies and activities outside of the show makes you feel grounded, so you sip your coffee and let the words flow from pen to paper.
The beauty of equity touring is in the schedule that allows you to explore. In the past, you weren’t in a city long enough to fully discover what makes it so wonderful. You research the must see sites nearby, and form a list of activities that will keep you busy each day before the show. Other castmates have done their research as well and plan to join you on a few excursions. Some castmates have toured through this city before, so they know all of the sites they want to revisit, or venture through for the first time. Since you travel to each city on a Monday, you usually take that evening to get groceries for the week in order to save money on some meals, and use Tuesday to rest before soundcheck and opening night. Your personal challenge: how much can you accomplish Wednesday, Thursday, and Friday before heading into a five-show weekend?
The thin white curtains can’t hide the radiant sun peering through your hotel windows on a Wednesday morning. While you’d usually find a pitch black room ideal, this week you don’t mind the sun’s assistance to the soothing build of your alarm; you don’t want the daily adventures to take away from your morning writing. You play some new Emily Estefan music, primp for the day, and walk to your Memphis morning hotspot. After completing lyrics to a new song, you walk back to the hotel, and join a group of 13 people to explore Graceland, the home of Elvis Presley.
Even though you hold a tablet connected to headphones that produce the voice of John Stamos as your personal tour guide, your good friend Corrado has taken it upon himself to act as the group’s guide through Graceland. He’s been to Graceland a few times before, and has read many books about Elvis Presley’s life. His wealth of knowledge and ridiculous fun facts resonate through the hallways causing a group of eight people to follow your group of thirteen. These tourists truly believe Corrado has been hired to guide them as he leads you room to room in his all black suit. You and the cast follow and laugh in disbelief. That day you coined the phrase, “Who needs Google when you have Corrado!”
After three hours away from the group, you meet again at the theater. Each lady in the dressing room shares their journey of the day. You and the three ladies at Graceland share your newfound respect for Corrado’s brain with the rest of the women. Laughter rings through the space and follows down the stairs into quick change alley. Throughout the show, you find moments offstage exchanging new inside jokes with the ones you shared your day with. The show continues to fly as the joy of the day soars with you and the cast through every number.
Frank Sinatra floods the cafe this Thursday morning inspiring another lovely lyric session. You clear your mind to prepare yourself for a heavy day at the Lorraine Hotel. The extreme contrast from yesterday’s adventure to today’s walk through racism calls for a morning of mental preparation and a box of tissues. You join your castmates Willie and Jasmin for this next history lesson.
You walk inside the Lorraine Hotel to see the museum informing patrons of the journey from slavery, through segregation, to the day Dr. King was shot. You see a model of the bus Rosa Parks sat on. You make your way to the top of the hotel, as Willie leaves for the day. You and Jasmin are left staring at the inside of the room where Dr. King was shot. You and Jasmin take your time, walking outside and across the street to enter the building the Dr. King’s assassin shot from. You two spent a total of five hours sinking into the horror that still scars our country. You both walk away with a heavy heart, but thankful that you have each other to lean on through the tears.
At half-hour until show, and you find your way to Jasmin’s dressing room. She thanks you again for being with her through the Lorraine Hotel, and invites you to join her, Ariel, and Deborah’s dresser, Roni for high tea at the Peabody Hotel tomorrow afternoon before the show. You’ve never done high tea before, so you say, “Yes, I’d love to,” and continue your pre-show preparation.
For your last free day before the show, you take yourself on a date to the Stax Museum of American Soul Music to soak up all of the wonderful sounds Memphis brought to the world. The moving music was the pick me up you needed after yesterday’s excursion. You couldn’t wait to tell the ladies all about it at tea.
You enter the Peabody Hotel and see the famous little birds that waddle across the lobby. You find the other ladies and walk towards your table for tea. You see Roni everyday, but haven’t had the opportunity to fully connect with her. You were unaware of all the tea that would spill from her lips about her history in the industry. She wore a cross that was given to her by her good friends Bebe and Cece Winans. Roni shared stories of her time styling Whitney Houston herself, and the years she spent styling Prince and Sheila E for their biggest concerts. Ending your history week with the history of Roni’s inspiring career was the most uplifting tea Jasmin, Ariel, and I could’ve imagined. We made a pact to never give up on the goals we’ve set for ourselves.
After a Saturday morning of writing before a two-show day, your mind clears in order to mentally prepare your body for an intense four-show weekend. Between your personal rituals and the wonderful moments you’ve shared with many members of your cast, you walk into the dressing room before each performance feeling closer and closer to your cast. Those bonds carry over to interactions onstage, filling each performance with more energy than the one before. Sharing the beauty of each city helps you learn more about your country and makes memories that bring your tour family together.
The crisp sound of paper tearing sends goosebumps up your arms as you unseal an envelop. You gently remove a thin, rectangular piece of paper unveiling your very first AEA check. After only two shows performing as an equity actor, you receive triple the amount of money you’ve made for the same work you’ve been doing for the last seven weeks as a non-union actor. You find Spotify on your phone, and play “Just Got Paid,” dancing and jumping around the ladies dressing room. The two other ladies that received their first union check join you in the celebration. Before you know it, a full ladies room jam becomes your pre-show warm up.
You slush through the snow towards your hotel after a successful third performance as an equity actor. The icy air fighting through your scarf reminds you of your first city on your very first tour.
At nineteen years-old, you layer up to walk through Anchorage, Alaska towards the Atwood Concert Hall to relaunch the national tour of “Shrek the Musical.” When signing your contract as a female swing, no one informed you that you would be the only female swing in the company. The production already toured a year before you joined, and in that year, two female swings split the work it took to memorize eight female ensemble tracks. You worked a two-woman job for the price of one, not knowing what other benefits you could have negotiated. You read and signed your contract without an agent or manager’s protection. If someone told you to negotiate your own room, your own bus seat, and higher pay, you may have been in a better head space to tackle the tricks of being a first time swing. Nine days in New York to learn a total of 34 roles put your passion to the test. As you stare into your dressing room mirror, ready to swing on for the first time, the words your choreographer spoke to you on the last day of rehearsals replay in your head,
“All I want to say is good luck, and I wouldn’t want to be in your shoes.”
The clanking and chattering in the hotel bar breaks your internal flashback. You kindly ask the bartender for a glass of cabernet and hand him your card to make your first purchase post-equity pay. A castmate sits at the bar enjoying a post-show reward and as he turns to you, you grab your glass of wine and clink glasses in celebration to your milestone. Your castmate’s brief toast sends you off with a smile as you leave the bar and enter the elevator towards the room you call home for a week. You swipe your key, place your wine on the desk to your left, and place your book bag down on the sofa to your right. As you flip on the light switch, the sound of the door closing behind you sends your mind to your contract with “A Chorus Line” at the Riverside Theater in Florida.
The door creaks until it slams shut behind you. As you and the other non-union actors take a seat in the theater’s lobby, the equity members of the Chorus Line cast decide who to appoint to be your equity deputies* for the next six weeks. If any of the non-union actors have comments or concerns throughout the contract, you have to speak up on your own because you don’t have the protection of the union, or a union representative to defend you. So, even though you signed your contract two months ago as a Cut Dancer/ understudy Maggie, when your stage manager says,
“Hey Megan, so we realized we don’t have any of the ladies covering Val, Kristine, or Judy, so can you learn these three in addition to Maggie?”
You simply say, “Yes, of course,” and start memorizing all of the monologues and lyrics you wish you would’ve know about in the two months you had to prepare. You only have ten days to memorize all of the written material and the extensive choreography that compliments the story. This is an incredible regional theater to work for and if you say no, the chances of them calling you “difficult” and never hiring you again are increasingly high. You have an agent now, but the budget for this production won’t allow the company to give you a raise for the extra work you accepted. So, you cash in your non-union check and use the little bit of spare money to walk to the closest Publix to buy a binder, dividers, highlighters, and the other supplies necessary to create what will be your swing bible. The the register beeps in acceptance of you payment.
Your phone dings and snaps you back to reality. Your alert leads you to an email from the Bodyguard stage manager with your anticipated schedule for the upcoming week in Appleton, Wisconsin, and you review her schedule as you run some hot water into the tub. Your mini-celebration continues with a bubble bath to sooth your muscles and compliment your cabernet. You dim the lights, set your calm playlist to shuffle, and sink into your personal sanctuary. You sip your wine as “If I Had a Heart” from “Straight Outta Oz” begins to play. You shut your eyes and take a trip to your bunk on a bus you lived on during your second tour.
You climb to the top bunk of a 12-bunk sleeper bus after another thrilling performance of “Straight Outta Oz” and a two hour meet-and-greet with fans of Todrick Hall, A.K.A. “Toddlerz.” You close the long thin curtain that gives you a piece of privacy to snuggle into your 30” by 75” mattress. The revving engine gently rumbles below, cruising you to sleep while the bus driver transports you and the cast from one state to another. At 11:30am, you wake up to other cast members searching through different compartments of the bus for clean clothes to start their day in. Your Forever 21 bag of clean clothes rests by your feet, so you maneuver your body to reach for the bag without hitting your head. You retrieve the key to open the under body storage compartment of the bus, and carry your garbage bag full of your costumes into the theater hoping you can find an open washer and dryer to clean them. When the production only has three crew members, your list of responsibilities lengthen. You toss your sweat-filled costumes into the washer while starting your makeup to prep for today’s sound check. You search for a convenient area backstage to pre-set your freshly-washed costumes for the ten quick changes rushing you through each performance. The crowd roars and the lights flash one last time, marking your opening and closing performance in Raleigh, North Carolina. You rush to get a good spot in line for the the one shower provided at the venue since meet-and-greet duty doesn’t effect you tonight. Your rumbling stomach leads you to the only food option in town: McDonalds. You and your cast/bus mates continue laughing and goofing around with the leftover energy from tonight’s thrilling performance. At 1:00am, you climb back to the top bunk and drift to sleep on your journey to the next state.
Sara Bareilles’ “The Light” softly plays and opens your eyes to the bubbles fading into your now lukewarm bath. You begin draining the tub and dress into warm pajamas. You stare at yourself in the steaming mirrors and smile. Though your past contracts have been more grueling than your current situation, you remember that each audience doesn’t really know the difference. Every small city you visited on “Shrek” believes they had a Broadway musical in their hometown. Every retired patron in Vero Beach, Florida believed they had some of the best New York City talent Riverside has ever hired, most unaware of your union status. Every Toddler that waited hours in line to see the magic and power of Straight Outta Oz only saw you living the dream with their hero Todrick Hall. Each performance touches the hearts of many, and even changes the lives of those needing somewhere to escape to. The draining non-union work is the only work you’ve ever known, and that’s what will make you an even harder working union actress. You snuggle into your king-sized hotel bed, thankful for finally receiving the payment that fully rewards your work, but even more thankful that you’ve worked so consistently as a performer, union aside.
* Equity Deputy: Elected by the Actors' Equity company members in a show, the Equity Deputy serves as a liaison between the performers and the union.
Your ears continuously crackle and pop as the plane descends into the first tour city. Before you know it, the wheels are rolling on the tarmac in Minneapolis. All you can hear is the clicking of seat belts freeing each passenger and cell phones alerting each person of the phone calls, emails, and texts they’ve missed while up in the air. Your heart flutters with excitement, but you must conserve your energy no matter how much you want to run off the plane and start venturing through this new city. Calm your urges and rest once you reach the hotel.
Your soothing alarm gently wakes you at 9:30am to prepare you for a 12:30pm call for dress rehearsal. You push play on your “calm” playlist, and start a morning routine that you plan to marry on the road. Finding normalcy on tour creates a homey atmosphere in a series of unfamiliar places. Today you create your two show day routine. Dress rehearsal ends just a few hours before the big opening night, so it’s time to fuel up, bundle up, and walk through the freezing winter wonderland towards the Orpheum Theater.
You cross a parking lot that leads you to the stage door. You search for signs that will lead you to the call board. You initial next to your name and follow more signs that lead you to your dressing room. You enter a large space with couches in the center of the room, bordered by each ladies station. Your mirror is topped with a laminated strip of paper that displays your headshot to the left, your name in the middle, and your ensemble number on the right. You notice the foam rollers available for use by the couches, and grab one to begin rolling out your muscles before a double dance day. You flow through a series of other stretches until your stage manager’s voice rings through the dressing room monitors.
“Hey everyone, you have two minutes before our first company meeting. If you haven’t already, start making your way towards the female ensemble dressing room.”
The entire cast gathers around as the stage manager guides you through details for the week. She rattles off a list of scenic and casting changes, showtimes, and other important information crucial to a successful first week in this particular venue. Company management reminds you of tonight’s cast party, and other fun activities available in the area. A few castmates ask questions concerning travel, the venue, and spaces to warm up. The meeting wraps up, and you make your way to the stage.
You retrieve your mic and walk onto the stage for the first time. Every Orpheum Theater across the country holds a magical design that never fails to take your breath away. The band rocks through the monitors, and the sounds of Whitney Houston’s classics fill the empty seats from the orchestra to the balcony. Your heart flutters. Your smile widens. Your eyes slightly swell with tears of joy, but not a single one releases. You inhale through your nose and exhale through your mouth, focusing your excitement to concentrate on lift call.
You meet your new partner upstage for a lift call before the dress rehearsal. One of the principal actors has to film a TV show that conflicts with opening night. Due to his absence, your regular partner must jump into the absent actor’s role, the onstage male swing bumps up to your partner’s track. The offstage male swing will take over the onstage male swing’s track. Whenever an actor is out of the show, the cast plays a tedious game of musical chairs. Once each understudy or swing reaches their new seat, they must fill each missing puzzle piece as if the final picture had never been dismantled in the first place. Having been a swing before, you support your new partner as much as possible. Having the hardest job has the ability to become overwhelming, so the calmer and more secure he feels, the smoother the show.
After a successful lift call, everyone hits their first position dressed and ready for the top of the show. Company management, important members of the Hennepin Trust, and a photographer shooting press photos fill a few seats in the audience. You hear the bang of the opening gun shot and the yell of your new partner acting as if the Bodyguard just shot him. As the brief opening scene blacks out, your new partner unzips his hoodie, rips off his fake bloody t shirt backed with velcro, and reveals his “Queen of the Night” costume that was dressed under his opening look. He jumps up to the top of the high platform and yells out a cry of profanity.
“Are you ok, Sean?!”
“Yea I’m good.”
The sliders open, the lights flash, and you strut down to the front of the stage. Through the corner of your eye, you see Sean exiting through the wings. Each ensemble member share a brief look of confusion as the second male swing starts dancing in Sean’s place. You let it go and keep moving through the number. You all treat this as a real performance, and don’t allow the audience to know of any problems. The sliders close on the opening number, and everyone runs to their quick change asking for Sean. Two scenes later, the news flows through the grape vine. Sean banged his cheek bone on the top of the platform. He’s on his way to the hospital to get stitches. For the remainder of the day, your partner, Bradford, will continue understudying the actor track, and the other swing, Willie, will replace your injured swing. The chaos of a less than stellar dress rehearsal can only mean opening night will be out of this world— right?
The confetti cannon pops. The crowd stands roaring and clapping as the sliders continue to close. The backstage lights fully brighten and you join a huddle around Willie. He gracefully swung into dress rehearsal, and opening night. As your partner, he lifted you every step of the way. Everyone had a smooth, enjoyable opening night despite the crazy changes. Sean comes backstage from the audience and sings praises to all of the cast, stitches and all. You make your way to the dressing rooms and primp for the first opening party of tour. You bump up the ladies room jams to continue this high energy. Glammed up and ready to go, you and the ladies strut towards the party.
By the time you and the ladies arrive, most of the food has been gobbled up by people outside of the cast. The cast’s stomachs grumble in hunger, so you all nibble on whatever bits and bobs you can find on the half empty trays. The open bar doesn’t support the lack of food. You drink as much as you normally would if your stomach was full. Your empty stomach has nothing to soak up the extra alcohol. As your body tingles, the music gets louder, and the DJ drops dance hits. You join a circle of castmates busting out their go to, offstage dance moves. Cameras flash, people laugh and cheer, and everyone lifts the energy through the roof.
You look around the room of wonderful people, taking a second to reflect on all that you have gained. You remind yourself of today being your first day as a member of the Actors Equity Association (which will bring your first AEA check in two days). You take this moment to celebrate you, and all the work you’ve put in to get to this moment. You start dancing harder as if you just won the Mega Millions. Things may be looking blurry on the outside, but your happiness has never been more clear.
Your soothing alarm gradually rings at 9:30am. What tends to gently wake you has startled you today. You remember dancing with a few castmates by the bar. You vaguely remember gathering your bags and opening night gifts. To your surprise you showered, put on your pajamas, and brushed your teeth. You walk into the bathroom, and find last night’s fake eye lashes on top of the drain in the bath tub. You can’t help but laugh at yourself. The high from all of yesterday’s joy continues to flow throw your body. You may not remember how you got home, but you’ll never forget feeling like a million dollar bill. You couldn’t have asked for a better way to launch this exciting new chapter in your career.